Search results for "Contemporary Art"

showing 10 items of 97 documents

Nordic contemporary art education and the environment: Constructing an epistemological platform for Art Education for Sustainable Development (AESD)

2012

How can art educators address questions of environmental sustainability, accepting to be ethically normative but avoiding becoming dogmatic? How can the complex ‘pool’ of knowledge generated in and through art education research become useful in working with these questions, which many of us find overwhelmingly difficult? AESD – Art Education for Sustainable Development – is a concept coined for this article with the intention of bringing environmental problems onto the agenda. In an attempt to provoke the necessary discussion about environmental sustainability in art education, the article examines selected texts from recent Nordic research in order to build an ‘epistemological platform’ t…

Sustainable developmentEngineeringPraxisbusiness.industrylcsh:NX1-820media_common.quotation_subjectGeneral EngineeringCornerstonelcsh:Arts in generalVisual arts educationEpistemologyContemporary artReflexivitySustainabilitybusinessVisual culturemedia_commonInFormation: Nordic Journal of Art and Research
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O potrzebie dialogu. Koncepcja zwrotu edukacyjnego w sztuce

2017

This article is about the educational turn in contemporary art. At present, many artists are interested in educational projects—the planning of events in which education is not reduced to an auxiliary role (as is traditional with an exhibition). Simultaneously, however, the artists distance themselves from the school system and are attempting to experiment with education, treating it as an autonomous, alternative cultural practice. The author describes the traits and circumstances of this artistic phenomenon (above all, transformations in the field of socially engaged art, and criticism of the idea of a knowledge-based economy). She analyses the role of pedagogical methods and ideas in arti…

educationsztuka partycypacyjnaneoliberalismedukacjaparticipatory arteducational turnsztuka współczesnazwrot edukacyjnycontemporary artKultura i Społeczeństwo
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A Metaphor for Identities in Transition through Urbanization and Globalization: Tofu and One Hundred Surnames

2019

The Chinese artist Chen Qiulin has been taking displacement and the resulting unrest in people’s identity as her persistent theme since the early 1990s. Focusing on a series of her works made since 2004 dealing explicitly with tofu and Chinese surnames, this paper examines her exploration of identities in transition in the context of China’s mass urbanization and globalization. By showing the artist’s conceptual evolution, her preference for materials and mediums, and her exhibition strategy, this paper explores two issues. First, it illuminates how the artist has transformed “tofu” and “surname” into a metaphor for the dilemma of identity under the urbanization in China. Second, it discuss…

ChinaCultural identityMetaphormedia_common.quotation_subjectIdentity (social science)Context (language use)diasporacontemporary artDiasporaContemporary artGlobalizationnykytaideta616identiteettiSociologyChinalcsh:History of the artsmedia_commonmuisti (kognitio)urbanisationta6132memory (cognition)AestheticsKiinakaupungistuminenArtikkelitlcsh:NX440-632identity (mental objects)Tahiti
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Introduzione ad Arte : Artworks, mimesis, agency

2021

Il volume raccoglie alcune delle relazioni tenute all’interno del ciclo di seminari Antropologia dell’arte, organizzato nel 2019 dall’Associazione per la conservazione delle tradizioni popolari in collaborazione con l’Accademia di Belle Arti di Palermo e curato da Rosario Perricone. Il seminario comprendeva diversi incontri durante i quali studiosi di diversi ambiti disciplinari hanno dibattuto su concetti, nozioni e oggetti che si pongono al crocevia tra le discipline dell’antropologia, della storia dell’arte, della semiotica, degli studi culturali, della visual culture, delineando talvolta fenomeni di ibridazione delle pratiche artistiche ed etnografiche e, talvolta, di dissolvenza delle …

Popular art in SicilyDolce &ampCanto flamencoFlamenco singingfotografiaPost-fotografiacontemporary artDolce&ampAlfred GelldonoArt Anthropology visual study Visual cultureArte popolare in SiciliaRituali Afro-CubaniSettore M-DEA/01 - Discipline DemoetnoantropologicheCampAfro-Cuban ritualtextumArte Antropologia visual study Visual cultureocchialicollezionismoagency mimesis creativity artworkselfieeyeglasseprehistoric artarte preistoricaphotographycollectingagency mimesis creatività artworkarte contemporaneaGabbanaPost-photographyNelson GoodmanLeviathangift
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Costruire mondi a partire dal linguaggio. Frédéric Bruly Bouabré e le sue Cosmogonie

2023

Il contributo presenta una ricognizione approfondita dell'ampia e variegata attività artistica di Frédéric Bruly Bouabré, artista ivoriano di fama mondiale considerato uno dei padri fondatori dell'arte contemporanea in Africa.

Frédéric Bruly BouabréContemporary ArtSettore L-ART/03 - Storia Dell'Arte ContemporaneaAfrican Art.
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The Human and Non-human Interconnectedness in Three Chinese Contemporary Artists

2021

Today, we live in an era known as the Anthropo cene. The interconnectedness between humans and other living entities and environments is an essential part of the theme of the Anthropocene and a central concern in contemporary culture and art. Through the emphasis of the role of non human agents, new materialism and posthuman ism radically problematize the binaries of sub ject/object, human/nonhuman, cultural/natural, and mind/body, and challenge the superiority of the human. Although both Chinese and Western scholars widely acknowledge that Chinese tradi tional culture and art are deeply based on less anthropocentric modes of thinking, the contem porary Chinese artists’ expression of the in…

non-humanvuorovaikutusantroposeenikeskinäinen riippuvuusluontokiinalaisettaiteilijatnykytaideposthumanismihumanihminenintersubjektiivisuusinstallaatiotinterconnectednessChinese contemporary art
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Un profilo di Nino Geraci, scultore del Novecento

2023

Il contributo presenta un approfondimento sulla figura di Nino Geraci, scultore attivo a Palermo dal 1900 al 1980 con una fortunata parentesi a New York dal 1927 al 1931 e artista meritevole di una più attenta considerazione critica. The contribution presents an insight into the figure of Nino Geraci, a sculptor active in Palermo from 1900 to 1980 with a successful interlude in New York from 1927 to 1931 and an artist worthy of more careful critical consideration.

MostreDecorationexhibitionContemporary artSettore L-ART/03 - Storia Dell'Arte ContemporaneaSculptureSculturaNino GeraciDecorazioneArte Contemporanea
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#RevueltasEstéticas: Del #yosoy132 a #Ayotzinapa

2016

El objetivo de este articulo es situar en las esteticas de protesta los dispositivos que se despliegan en manifestaciones sociales como practicas artisticas contemporaneas. En dos casos en Mexico, el movimiento “yo soy 132” y las manifestaciones por los 43 estudiantes desaparecidos de Ayotzinapa. Se aborda la relacion entre politica y estetica desde el planteamiento de que el arte contribuye a la formacion de subjetividades politicas, y la forma en que estas practicas criticas se han desplegado en la esfera publica. The purpose of this article is to place within the aesthetic of protest, devices that are deployed in social demonstrations and contemporary art practices. In two scenarios in M…

PoliticsUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASmedia_common.quotation_subject:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]HumanidadesPublic sphereArtFilosofía. EticaHumanitiesCartographyContemporary artmedia_common
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ZACentrale: il nuovo laboratorio di arti e idee della Fondazione Merz

2021

L'articolo prende in esame la collaborazione tra la Fondazione Merz di Torino e il Comune di Palermo attraverso la ricognizione delle attività di ZACentrale presso i Cantieri Culturali alla Zisa di Palermo con particolare riferimento al progetto espositivo "L'altro, lo stesso" a cura di Beatrice Merz ed Agata Polizzi. Il contributo presenta le opere in mostra di Lawrence Weiner, Rosa Barba, Lida Abdul, Mario Merz, Marisa Merz e Alfredo Jaar.

Fondazione Merz.Contemporary ArtMario MerzAlfredo JaarLida AbdulSettore L-ART/03 - Storia Dell'Arte ContemporaneaLawrence WeinerRosa BarbaMarisa MerzZACentrale
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Parodie et Vandalisme chez les frères Chapman

2014

International audience

Histoire de l'artContemporary artArt contemporain[SHS.PSY]Humanities and Social Sciences/Psychology[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.ART ] Humanities and Social Sciences/Art and art historyParodyParodieArt historyVandalism[SHS.PSY] Humanities and Social Sciences/PsychologyVandalisme[SHS.ART] Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUSArt
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